The Dinette Set explores the awesome power of Madison Avenue to shape public perception and the pervasiveness of that power.
It starts with the appearance of an article in a magazine regarding GM cars. The article, of course, is ostensibly an independently-penned piece, but in fact is more likely the product of a collaboration between the two companies' PR departments. All of which is a clever critique of the conglomeration of advertising and traditional media (or in this case the semi-traditional tabloid media) into a single, vertically-integrated, advertising one-stop-shop.
From such a tiny acorn sprouts an instantly mature oak of doubt in Burl's mind regarding the attractiveness of his own GM vehicle. The panel limits itself to Burl's rather impotent outrage at his local GM representative. But the author's clear intent is to suggest that, within a week, Burl's doubt will have transformed into desire, and Burl will replace his perfectly serviceable vehicle with a new one, guaranteed to not be ugly.
Furthering the overall effect, examples of "putting lipstick on a pig" as metaphor for advertising litter the walls. Alongside them are brazen example of product placement with brand loyalty implications. But the most stunning example of the power of marketing is reserved for the coffee cups, which effortlessly reverse Burl and Joy's gender, using only a text label.
I can't believe I ate the whole marginalia:
- Talk about putting pressure on yourself, the brand name "Excellent Cookies" would really limit your options.
- Ding Dongs, of course, require no marketing. They are, after all, Ding Dongs.
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